Elizabeth Fleur Willis’ environmentalist poetry was published in our Earth Issue and performed live at the issue launch in London.
Their work aims to awaken consciousness and respect for our irreplaceable landscapes; to not only challenge the mind set of society, but to evoke an emotional and tactical connection between Man and Nature.
A multidisciplinary project that includes sculpture, photography, photogrammetry, 3D printing and 3D animation to discuss coral degradation.
This body of work depicts an imagined future that reflects on humankind’s constant need to construct and colonise nature for our everyday purposes.
“These paintings are made in response to my own experiences and relationship with the natural environment.”
“My work stems from an interest in the way we, as humans, understand our environment through map making.”
Zeller’s painterly series of greenhouse flora pays tribute to classical botanical illustrations from the 18th to 20th century.
Found and discarded materials are given new life in a sculptural embodiment of the Japanese philosophies of Kintsugi and Wabi-Sabi.
“We are inhabiting the aftermath of our negligence to the environment, inexorably intertwining the signification of landscape with contemporary threats.”
Using the crudest and earliest form of cameraless photography, she documents ambiguous forms made out of plastic removed from the environment.